1. Primrose Park Artist Studios
Council offers six well equipped shared studio spaces to artists at Primrose Park Arts Centre at a low cost rental for a one year period.
Studio Artists 2018
Simon Brown has a Dip Fine Arts from Meadowbank TAFE. Having relished art an early age, and throughout school, he is a self-taught painter experimenting in many forms and mediums. At TAFE he majored in Painting, with a focus on photorealism. Simon is concerned with the breakdown of luminous layers that photography often fails to capture and reveal, to challenge the notion that depth is lost in the transferral of photographic forms into a painted piece. Simon advises “continued exploration, discovery and learning is what drives me towards a future rich with artistic possibilities”.
Bernadette Facer (81KB) is a visual artist working in printmaking, classical photography and installation. Whilst studying at the Otago School of Fine Art in New Zealand, these mediums were developed by mentors such as, Diane Halstead and Marilyn Webb. Although now residing in Australia, her work often has a contextual connection to Aotearoa, New Zealand.
Bernadette's art is often influenced by the sombre and contemplative black protest paintings of Ralph Hotere. The works will often depict braided rivers as shadow water or ata wai. Black on black printing methods are used to serve as a dual representation for memory and of the depletion of resource, in the agricultural district from which she hails, Waitara (Canterbury).
Bernadette’s works can be viewed as unfinished fragments of memory which sit within an archetypal landscape through print and assemblage. “Current installations, incorporate delicate charcoal lines, abstract hybrid landscapes, mono-print and embroidery. Stitching the memory, or lifeline to the past. Threads snap and break. Fractured memories part of a once pristine landscape”.
Terhi Hakola (534KB) is a Finland-born artist based in Sydney. She holds a MA from UNSW; and a degree in medicine from the University of Kuopio, Finland. She has practiced as a GP for 20 years in Finland and Australia. As a medical practitioner she has witnessed life at the ordinary and at the extremes. The human experience that captivated her as a doctor - the desire to unfold what defines and gives meaning to our day-to-day existence - also fuels and motivates her art. Recurring themes in her work consider the sense of identity, impermanence and mortality.
Using primal symbols, traditional story-telling and Scandinavian mythology, Hakola works with installation, video, animation and painting. She plays with the tensions between the mundane and the extraordinary, the known and the ineffable, the familiar and the terrifying. For her the creative process - going through the unknown and doubt - is an important rite of passage, which mirrors our journey through life with its potential for transformation. Her central quest is to develop work which reflects the shared human experience and offers a place for connection and possibility.
Anne Numont (65KB) - place, perception and memory are central to her art practice. Experimenting with method and scale in contemporary drawing, handmade paper and installation, Anne makes landscapes and informal geographies. Anne employs a syncretist approach and “references include my migrant experience, Filipino heritage, Australiana, cubism, typography, weather systems, astrology and science. I am fascinated by the potential of light, landscape and mapping to project aspects of space, self and society. Underpinning my work is a state of being in-between and the possibilities this space can manifest”. Anne Numont holds a BA Design from UNSW, and has studied at AFTRS, NIDA and NAVA.
Jane Theau (121KB) holds a Master of Art from UNSW, and is currently a PhD candidate at ANU researching the resurgence of textiles as a contemporary art form. Her current work has focussed on horsehair and large scale figurative lace pieces, both forms featuring as characters in videoed dance and theatrical performances. Jane’s practise began in two dimensions with printmaking, expanded into three dimensions with sculpture and installation, and is now exploring the fourth dimension through performance. The constant through these transitions has been her use of textiles, employing them in unexpected ways and combining them with other media to accentuate their tactile properties and metaphoric potential.
Ana Young (345KB) holds a BA Visual Arts (hons.) from the School of Arts, ANU, Canberra and a BA Fine Arts from the National Art School, Sydney. Ana describes her practice as inter-disciplinary: sculptural installations, drawing, paintings investigate the notion of landscape as a series of ongoing journeys. She will revisit particular localities, research their previous histories and geographies. Constructions evolve from found objects and materials that may hint at their original location. Ana continually explores the role of place and memory as a point of arrival and departure in her work. “I seek to interrogate how I see landscape, the distance between the studio and being there allows the restructuring of works whether in 2d forms or 3d forms. I find new possibilities pursuing the Australian bush, silence and close observation lead ultimately to works finding their own rhythm and poetry”.
2. Coal Loader Artist Studio
The Coal Loader Artist Studio is available free-of-charge to one artist per ten month period. Artists working with sustainable concepts or materials are given priority.
Applications now open for 2019 Coal Loader Artist Studio (see top of page)
2018 Artist in Residence
Rhonda Pryor (615KB) - her art practice encompasses natural dyeing, stitching and embroidering with used and discarded cloth and thread, photography of clothing and textiles, installation, wall based 2D works, and more recently, experimenting with soft sculpture. She explores concepts around memory, personal ancestry and stories, and social histories, utilising used clothing and textiles, often drawing on the sometimes painful, memory stores inherent in the fabric, as well as the human effort involved in their original manufacture, and the haptic connections we each have to cloth.
Rhonda holds a BA & MA Fine Arts, and a MA Studio Art, SCA, Uni Syd. Rhonda has participated in many group exhibitions and been a finalist in the North Sydney Art Prize, Mosman Art Prize, Willoughby Sculpture Prize, Blacktown City Art Prize and Rookwood Hidden Sculpture Walk. She has produced several public art projects and her works are held in numerous art collections.
During the residency Rhonda will be running four free community art workshops using textiles and/or deconstructed used clothing. She will also open the studio to the public one day per month offering an opportunity to meet and chat with the artist.